Sunday, September 7th, 2008

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David Robertson will conduct the Orchestre National de Lyon at Royce Hall on Sunday night.

David Robertson will conduct the Orchestre National de Lyon at Royce Hall on Sunday night.

Robertson, French orchestra join pianist Fleisher for Royce concert

Renowned classical musicians, who collect prestigious awards and honors in bundles, take tremendous pride in their art. For instance, when the word “show” was accidentally uttered to him, acclaimed pianist Leon Fleisher quickly pounced on the misusage.

“It isn’t really a show – it’s a concert,” Fleisher said. “A show is entertainment. A concert is something that you participate in by giving your undivided and rapt attention. If you do that, you stand a chance of adding a beautiful experience.”

With that established, the observant Fleisher will be in concert along with France’s celebrated Orchestre National de Lyon led by conductor David Robertson at Royce Hall this Sunday at 7 p.m.

Born in Santa Monica and schooled at London’s Royal Academy of Music, Robertson has conducted mainly in Europe, building a reputation as one of the leading conductors of his generation. In 1999, he was named Conductor of the Year by the magazine “Musical America.” Robertson shortly joined the Orchestre National de Lyon in 2000, adding his taste for regional symbolism to one of Europe’s finest ensembles.

“Lyon is famous for food because of the actual quality of the produce,” Robertson said. “At the same time, the subtlety of the blend of flavors is exactly mirrored by the subtlety of colors the orchestra can get when they play a piece of music. The types of sounds you’ll hear are what you can’t possibly imagine coming through on a recording.”

Although unknown as a food connoisseur, Robertson is a noted proponent of contemporary music. However, the Royce Hall concert will feature French pieces from no later than 1931, including Russian composer Igor Stravinsky’s masterpiece “The Rite of Spring.”

“Stravinsky’s ‘The Rite of Spring’ is a work that is very much connected with the whole experience in France because it was specifically written for (Serge) Diaghilev’s company, the Ballets Russes, which was a Russian ballet company that had a season in Paris,” Robertson said. “In a sense, it’s a program with music of real French quality, but the French influence of the late 19th and early 20th century is also being felt in the Stravinsky.”

The intricacy of the Stravinsky piece poses a challenge, but a confident Robertson believes the orchestra can “absolutely nail it with one hand tied behind its back.”

Meanwhile, Fleisher can literally play with one hand tied behind his back. Dubbed the “Obi-Wan Kenobi of the keyboard” by students at Baltimore’s Peabody Conservatory, the San Francisco native will demonstrate his knowledge of the musical force on Maurice Ravel’s “Piano Concerto for Left Hand in D.”

“(Ravel) was commissioned to write this piece by a wealthy Austrian pianist who lost his right arm in the First World War,” Fleisher said. “He had the perseverance and the obsessive compulsiveness that, even when his right arm was shot off, he had to make music. That’s the way some of us are.”

According to Fleisher, Ravel’s intention as he wrote the piece was to make five fingers sound like ten to an oblivious audience.

“It’s really tremendous to see how (Fleisher) is able to make the piece completely fresh every time he does it,” Robertson said. “When you’re doing a number of performances, that’s really something to prize. He doesn’t treat it like he’s making breakfast.”

One of the most distinguished pianists of the 20th century, Fleisher was recognized as a prodigy before the age of 10.

“I studied with a local teacher in San Francisco, what you might call a prodigy maker,” Fleisher said. “It wasn’t a good lesson unless he made me cry. I demonstrated a certain gift. It was what I enjoyed doing most, and it brought me a lot of cookies. It’s one of those happy marriages where what the parents foresee for the child is in concurrence with the gift of the child. It actually doesn’t happen too often.”

Perhaps the notion that classical musicians are flat, dead serious old-timers is a key misconception. They can be a sharp bunch.

“I had a choice between being the first Jewish President of the United States or being a great concert pianist,” Fleisher said. “Well, being a concert pianist is a hell of a lot easier.”

Orchestre National de Lyon performs at Royce Hall on Sunday at 7 p.m.