Beneath spotlights, actress Sara Porkalob is pictured mid-performance with blue and pink lights illuminating the panel behind her. The show “Dragon Mama,” directed by Andrew Russell, is the second chapter in Porkalob’s familial trilogy, the “Dragon Cycle.” (Courtesy of Jeff Lorch)
This post was updated April 16 at 8:55 p.m.
The next generation in the “Dragon Cycle” is lighting up the stage.
Sara Porkalob’s solo show “Dragon Mama” – directed by Andrew Russell – is the second in a matrilineal trilogy based on the star’s family following “Dragon Lady” and preceding the in-development “Dragon Baby.” “Dragon Mama” made its Los Angeles premiere March 4 and will play at the Geffen Playhouse through April 26.
This post was updated April 16 at 8:35 p.m.
The Fowler’s newest exhibit is nothing short of monumental.
“Mountain Spirits: Rice and Indigeneity in the Northern Luzon Highlands, Philippines” opened at the Fowler Museum on Sunday.
This post was updated April 2 at 8:14 p.m.
With “Spamalot,” it’s unclear if the Holy Grail is half-full or half-empty.
To the sound of clanking coconuts, the Tony Award-winning musical comedy galloped into the Hollywood Pantages Theatre on March 24 for a tour stop lasting until April 12.
This post was updated March 31 at 9:41 p.m.
From swing dancing to Austen, the Historical Ballroom Dance Club offers students exciting ways to engage with historical dance scenes.
UCLA’s Art History Undergraduate Student Association is painting a colorful community for art history lovers.
AHUSA is a student-led club dedicated to exploring art history through discussion, faculty speakers and gallery visits.
Some exhibits aren’t made for looking at, but rather for looking back.
On Tuesday, the UCLA Chicano Studies Research Center Library transformed into a gallery. The Center for the Study of International Migration and the Chicano Studies Research Center Library filled the space with murals, paintings, photography, music and a community that showed up to heal.
As an audience member accurately put it, “Akhnaten” is quite a trip.
Curtains rose on the LA Opera’s newest masterpiece at Dorothy Chandler Pavilion Feb. 28, where it will remain until its sweeping finale March 22.
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